Hi Larry,
>1) What is Average Exposure? Is this a number that represents the amount of darks captured in a >specific exposure time and the total of lights should be this amount? I'm confused...
Do you mean the average exposure box that appears during take darks? I think this is actually just the cumulative exposure time, but I'm away from the observatory so can't check? For info, I actually use a different piece of software (AIP4WIN) for all my post processing, so just take two sets of 16 flat subs and then use an averaging process to create the master flats for the colour channels (I'd much rather do this with RAW files, but it's not currently supported in AIP4WIN for the DSI III).
Unless you are looking for absolute perfection, I would not spend too much time worrying about the exact relationship between the dark and flat exposure times. As a general rule for darks I use an average of 10 up to 30S exposure time and 5 for anything greater than 30S. The key issues are:
a) with the flat frame is to make sure you've got enough light incident on the CCD to be well over the noise floor, but not so much that you get into the so called "non-linear" region of the CCD (somewhere between 10,000 to 20,000 units seems to work for me...).
b) with darks making sure you've a sufficient number of subs averaged to reduce the random noise.
This is the best reference if want to follow up on the details on CCD image calibration:: http://www.willbell.com/aip/index.htm.
>2) What is happening when I take darks, but leave the "Delete Existing Dark Frames" box >unchecked?
It will overwrite the only the dark files that you are updating in the "take darks" process and leave anything else intact. If you check the box it will wipe everything out from the darks directory.
>Man, I'm glad you mentioned this one, because I forgot to...Yes, I do use the tracking box thingy, >but I'm not sure if I should box in the whole target or just a star?
I find it's best work with stars (for DSO's at least) as they are more well defined. You just need to make sure that the target won't wander out of view during imaging (more of problem if you're alt-az mounted) and that it shows good contrast against the background. Also keep the two stars as well separated as you can.
Would be useful to know roughly what your set-up is?
Anyway, hope this helps!
JonW
8" Mead LX-90
TMB 80/480
DSIc & DSI IIIc
Isle of Wight